Contemplate this: a source material written by a beloved prolific novelist; a prodigy director at the peak of his creativity; four casts of a very talented young boys--whose personality matched their characters perfectly, they practically played themselves; and a script so well written it was almost beat the source material itself.
Well, turns out the combination of those qualities resulted in a “one of the kind” movie. As evidenced here by Rob Reiner’s “Stand by Me”.
Stand by Me (SbM) is an adaptation of Stephen King’s
novella “The Body”, and as King’s fans would have already recognized, it’s not a
horror story at all. Instead, it’s a coming of age saga which—just like many teen stories
in general—deals with the quirks of growing up. SbM somehow stands out among other teenage movies,because it has a certain
darkness to it. I haven’t read the novella yet, so I don’t
know how far the adaptation differ from the source material. But from what I
gathered, the script was so brilliant, that King himself has mentioned that of
many of his works’ adapted movies, SbM
is the best he has yet to enjoyed. It’s interesting to note that he really dislike
Stanley Kubrick’s “the Shining”, and prefer this family drama over the critically
acclaimed film.
I have already fallen in love with Rob Reiner’s later work “the
Princess Bride”, so I knew what kind of quality I’ll find in SbM before I
got the chance to watched it. But apart
from Reiner’s brilliant directing, the story itself served as the
main ingredients to the movie’s appeal.
SbM premises in the adventureof two fateful days, ventured by four teen friends in finding a dead body. Yes a-dead-body, just as expected from Stephen King, this story deals with dark themes. But even if death might be a constant motif of the movie, but at core it highlighted the realistic depiction of life itself, with its gritty and harsh reality.
SbM premises in the adventureof two fateful days, ventured by four teen friends in finding a dead body. Yes a-dead-body, just as expected from Stephen King, this story deals with dark themes. But even if death might be a constant motif of the movie, but at core it highlighted the realistic depiction of life itself, with its gritty and harsh reality.
The ragtag team of the main characters consist of: Gordie
Lachance, the smart-quiet-awkward one, who serves as the movie narrator; Chris
Chamber, the mature and the peace maker of the group, and also Gordie’s closest friend;
Teddy Duchamp, the wild card and the most problematic kid in the group; and
Vern Tessio, the chubby and slow yet lovable one, who served as a comic-relief
in the story.
Narrated by the adult Gordie, the story begin with a tragic
news of Chris’s death years after the main story occurred. Gordie, upon reading
the news, then commemorate the fateful two days of his teen-hood, where a
missing boy has been a headline in their small town newspaper for days. Vern who
accidently listened to his delinquent
brother chatting up his friend about the possible location of the missing dead body, decided to tell his friends about it. Excited of the possibility of
being a local heroes, the four friends decided to embark on the journey to find
the dead body.
The journey reveals that each boy bear their own personal
demons and each has their own way to deal with it. This is where we find
the jewel of the story.
Teddy revealed to be an abused child whose father, a survivor of the WW2, burnt his child’s ear as a result for his unstable mentality. But on top of it all, Teddy still adore his lunatic father to the point of going berserk when one of the townsfolk mocked his father.
Chris who came from a family packed with criminals, suffered from the townsfolk’s typecasting who labeled him as a delinquent. But apart from his family background Chris is shown to be a wise child, mature beyond his age; he often served as the peacemaker of the group and always looking out for his friend’s well-being, especially Gordie.
Chubby and joyful Vern, who always targeted to be bullied by his own friends is shown to be an easygoing and fun-loving child, always ready to forgive his friends antics.
And then there's Gordie, whose at the time of the story just came out of a grieving period after his older brother’s death. Gordi was frustrated because his parents—grief-stricken by their firstborn’s loss—abandoned Gordie for the memory of the more favorable son. Yet Gordie enjoyed their traveling, acted as the rational one, always ready for practical solutions at hand.
Teddy revealed to be an abused child whose father, a survivor of the WW2, burnt his child’s ear as a result for his unstable mentality. But on top of it all, Teddy still adore his lunatic father to the point of going berserk when one of the townsfolk mocked his father.
Chris who came from a family packed with criminals, suffered from the townsfolk’s typecasting who labeled him as a delinquent. But apart from his family background Chris is shown to be a wise child, mature beyond his age; he often served as the peacemaker of the group and always looking out for his friend’s well-being, especially Gordie.
Chubby and joyful Vern, who always targeted to be bullied by his own friends is shown to be an easygoing and fun-loving child, always ready to forgive his friends antics.
And then there's Gordie, whose at the time of the story just came out of a grieving period after his older brother’s death. Gordi was frustrated because his parents—grief-stricken by their firstborn’s loss—abandoned Gordie for the memory of the more favorable son. Yet Gordie enjoyed their traveling, acted as the rational one, always ready for practical solutions at hand.
As I mentioned before,
death is the motif of the movie, as proven by how many time it served as a
plot-device to run the narration. First it was served as Gordie’s plot, for as
the story goes, viewers learns that Gordie was haunted by the memory of his
older brother’s death; Second it was the main plot for the story, for the main
mission of the casts is to find a dead body in order to be heroes at their
hometown. And the last one, is Chris’s death which triggered Gordie as the
narrator, to tell us (the viewers) about his and friend’s story on that fateful
days.
But even we find deaths all over the story, we also learned
that life is the essence of the story too; and that goodness and kindness is the
main engine of life itself. It’s what breaths out interesting tales in the
world. At the climax when Gordie broke down at the sight of the dead body, he
mourned the folly of the world: how death can win over life, and how the memory
of a death sibling can win over his need for his parent’s affection. Chris’s insistence
that Gordie deserved a brighter future (even deserved it more than his
favorable deceased brother) became a touch of kindness, the assurance that the insecure
Gordie needs. Even as the epilogue rolls out and reveals a realistic ending (Chris’s
death, Teddy’s bleak adult life; and Vern’s average-mediocre life) we can
gathered that in that fateful two days of their teen-hood, the friends will always
remember and cherish the kindness and goodness they’ve shared, no matter what
place they ended up later on their life. Just like the last sentence the adult Gordie
wrote in his computer: “I never had any friends later on like the ones I had
when I was twelve. Jesus, does anyone?”
